Grave

Grave“The fate of all is always dust.”

~ So say The Whispermen when The Doctor encounters them on Trenzalore, the place of his death, the place he is buried.

In the seventh season finale, which may be the best Doctor Who episode I’ve ever seen, The Doctor faces his own mortality.   With a grave (as it were) face, The Doctor steps out of his time machine and sets foot upon the planet that serves as his own cemetery, and is able to look upon his own tomb.

Clara Oswald says, “Anybody’d be scared, looking at their own grave.”

This is the slimy, oozy underbelly of time travel, isn’t it?  The one with the bugs and wiggly worms.  If we had the ability to hop around time, we’d eventually — through accident or purpose — find out the time, place, and manner of our own demise.

What happens to us when we die?  I don’t mean that in religious terms, per se.  I mean it experientially.  When we die —  assuming we have some knowledge of it (i.e., not getting blindsided by oncoming Mack truck hauling a load of gravel to build a new overpass on the Parkway) — what goes through our mind?  One instant you have a thought, the next instant you do not have a thought.  Or, so it would seem.

In February 2003 my brother died of a heart attack.  I wasn’t there when it happened, but he apparently died instantly.  He was in his kitchen.  He fell to the floor.  Dead.  What was his last thought?  What was he talking about when it happened?  Or was he talking?  I have heard he was in a really good mood, and I certainly hope that that was the case, but honestly, I stay up at night and wonder: What did he think right before he passed out.  Maybe he knew pain.  Maybe he was scared out of his mind.  I certainly hope not.  I’d like to think he thought nothing.  Or, best case, he was  bewildered and confused.

But then what happened?  Did he have a near-death experience?  Did he slowly rise above his body and watch as his wife tried to administer CPR while she waited on the paramedics?  Did he see and hear all of this?  If so, how?  How did he see and hear without eyes and ears?  Or, was there simply nothing?  Was there just blackness?

As you might imagine, being the only survivor of my immediate family, I often wonder about fatality.  But I don’t have answers.  Some people do.  Some are convinced, through devout faith, and know with 100% certainty that there is an afterlife, with proof rooted in scripture.  Likewise, secular humanists know with 100% certainty that there is nothing beyond the wall of death.  And so those of us in the middle say that they can’t both be right.

Or can they?

I have a degree in physics.  And I attended one of the best liberal arts colleges in the country.  One of the things they taught me in my physics classes, and one of the things my alma mater emphasized, was the importance of coming to grips with cognitive dissonance, the ability (need) to hold onto two conflicting notions.  Like the famous wave/particle duality of light and matter, maybe our quest for an afterlife has two correct but different solutions.  And maybe Doctor Who answers the question as well as any: That the dimension of time itself is wibbly, wobbly, and that — like a greased pig — when we think we have it in our grasp it slithers away again.

You can’t believe in A and B they tell me.  And I ask myself, why not?

Until next time, don’t think about matters grave.  Let me take that burden from you.

Peace,

Keith

Copyright © 2013 Keith Parker

The image posted in this blog is the property of the BBC, and is their sole property.  It is used here under this author’s understanding of the fair use laws.

Bootstrap

Sally SparrowThis week, The Parker Institute of Time Travel Studies (The PITTS) — in conjunction with State and Local Officials — has devised this warning for all time travelers and others involved in temporal excursions: Do not employ bootstrap time travel.

  • Bootstrap Time Travel (Encyclopedia Galactica*) — The bootstrap paradox is a paradox of time travel in which information or objects can exist without having been created. After information or an object is sent back in time, it is recovered in the present and becomes the very object/information that was initially brought back in time in the first place.

A recent examination by investigators — hired by the autonomous Fish and #TARDIS Sauce Group — indicate that there is an alarming rise of bootstrapped articles appearing throughout the timeline. The genesis of this “fad” seems to have been the airing of the Doctor Who episode, “Blink.” The PITTS, therefore, has been forced to implement emergency and draconian measures to staunch the flow of now-uncreated objects and information. Recent examples of bootstrap incursions include, but are not limited to, the following:

  • A man from Nantucket took a freeze-dried lizard back to his childhood, gave the lizard to himself, which he (the younger) then kept until he was a grown man with a chance to travel back in time … the situation was frustrated by teaching his younger self a limirick.
  • A husky Russian émigré, intent on playing football for Vince Lombardi, recently overshot his mark and took his time vehicle to 1947 New Mexico instead of 1967 Wisconsin, ruining our research and playoff hopes in one selfish move.
  • An English woman, home from the laundry mat and feeling adventuresome, took the family Wellsian for a spin to Victorian England with a basket full of extra footwear, creating an impossible temporal vortex of missing socks that will confound 20th– and 21st-century men for eternity.
  • An Alabama man took an egg (cage-free, organic, with Omega-3s) to China, circa 6000 BC, to the very day that the first chicken became domesticated and, as a result of self-indulgent selfish motives, removed the chicken-egg paradox from modern thought.
  • A Jaffa woman recently returned The Holy Grail to its shelf at The Cenacle, thereby eliminating any possibility we could determine the origin of said graal.
  • And in 2007/1969 Doctor Who told Sally Sparrow, “Blink and you’re dead. They are fast. Faster than you can believe. Don’t turn your back. Don’t look away. And don’t blink. Good luck.” The Doctor has been unavailable for comment.

These are but a few examples of what has become a worldwide epidemic. At this rate, all material objects, articles, matter, data, information, and salmon will not have a place of origin. The effects of this activity on the eco-military-industrial-climatic-god complex cannot not be overstated without embellishment. Please stay tuned to this channel for further updates.

The past is prologue; so is the future.

Years truly,

Keith

* All entries from Encyclopedia Galactica are, in fact, plagiarized liberated from Wikipedia.org (English version).

Copyright © 2013 Keith Parker

Scale

scale“Any sufficiently advanced technology is indistinguishable from magic.” ~ Arthur C. Clarke.

Scale and scope.

When did the scale and scope of speculative fiction become so obsessed with the unimaginable?  This question came to mind the other night when I was watching Star Trek Into Darkness, after having just seen a re-run of Doctor Who‘s “The Eleventh Hour” (s05e01) the day before.  Both shows, so completely different in theme, character, and setting, do have something in common: The stakes are so high that the action — both physical and dramatic — has to be quasi-supernatural in order to … in order to … in order to what?

Keep our attention?

  • Is it really necessary to have a fist fight with a genetically engineered god on top of an air-car traveling at 100 miles per hour?
  • Is it really necessary to have Mr. Spock from two different universes?
  • Is it really necessary to climb through an unimaginably large warp core that’s eerily reminiscent of a famous British police box on the inside?

Speaking of which …

  • Is it really necessary to hack into a global video teleconference?
  • Is it really necessary to have an villain who can shape-shift (clothes, and dog collar, and all) into anything, anything at all?
  • Is it really necessary to program a planet-wide computer virus?

Maybe it is.  I don’t mean to sound like a curmudgeon, because both of these shows charge me with that sense of wonder that’s enchanted me since I was old enough to know what genre is.

Vast scales and scopes are nothing new to the mythos of speculative fiction; not when you had shows like The Twilight Zone telling you that there was a fifth dimension “as vast as space and as timeless as infinity” right there in the corner of your eye; not when you had The Outer Limits telling you that “we will control all you see and hear”; not when you had spaceships traveling to Jupiter so humanity could become star children.  And all of that was a generation ago.

But if we take away today’s themes of the universe-is-going-to-implode-and-all-of-spacetime-is-going-to-get-flushed-down-a-Planck-scale-toilet, then what are we really left with?  We’re left with questions.  And those are the hardest things of all.  Do we seek justice, or do we demand revenge when we see crimes of utter devastation?  Do we trust the man in the bow-tie when he was really only figment of our childhood?   Do we believe there is absolute good and absolute evil?  Or do we believe there’s a spectrum in between?

The struggle to save humanity — the galaxy, the universe, the mutli-verse itself — really pales when compared to the questions that these shows ask.  The visual candy is there — oh, yes — and I will gladly pay the price of admission time and time again to consume it.  But I want to ask these questions.  I want us all to ask questions.  In my opinion, that’s the only way we can grow.  I want to know if there’s moral absolutism or moral relativism … or both.  I want to know what we do when morality changes, if indeed it can.  I want to know how to ask these questions.  I don’t look for answers much anymore, but I don’t think that’s the point anyway.  I think we, as humans, have to ask them.

By the way, a Star Trek fan gave me two hand-made Tribbles.  They’re sitting on the mantle next to a Waterford crystal wine decanter, in stark contrast to one another: The sublime and the ridiculous.  The trouble is, I don’t know which is sublime and which is ridiculous.  That’s another question I’ll have to ask.

Until next time, years truly,

Keith

Copyright © 2013, Keith Parker, except as noted below:

Doctor Who is copyright © 2013 by the BBC. No infringement upon the rights of the BBC is intended.

Lost

clara“I know what I said.  I was the one who said it.” ~ Clara Oswald, Companion of the 11th Doctor

This week on Fish and TARDIS Sauce The Parker Institute of Time Travel Studies (The PITTS) brings you yet another blog post peppered with slightly (read: highly) unorthodox quotes from another brilliant episode of Doctor Who.

Keep in mind that in order to watch this show — or read my blog — you don’t have to know jack-shit about either one.  You don’t even have to know — like I didn’t — that the plural of deus ex machina is dei ex machina or that — like Bug Bunny knows — Carson City is the capital of Nevada.  None of that is a required reading.  But Doctor Who should be required viewing.  And the episode in question, “Journey to the Center of the TARDIS” (s07e10), gives us enough one-liners, head-scratchers, and zingers to make us hungry for more.

  • Clara: “It’s an appliance.  It does a job.”
  • The Doctor: “It’s a pretty cool appliance.  We’re not talking cheese grater here.”
  • Clara: “You’re not getting me to talk to your ship.  That’s properly bonkers.”

When Clara gets lost inside the TARDIS following an accident, she quickly discovers one of the best story lines in all of science fiction: Finding your way out of one big-ass maze that has decided that it (the intelligent big-ass maze) isn’t terribly fond of you.

  • The Doctor: “Ever see a ship get ugly?”

So, like the sprawling metropolis of London or the freeway system of Atlanta at rush hour, Clara finds herself in the seemingly impossible situation of getting out of a seemingly endless situation inside a seemingly endless setting, all within the span of one hour of telly (seemingly to include commercials).

  • Note to aspiring writers: Don’t use adverbs too much.
  • Or, as The Doctor put it: “Don’t get into a ship with a madman.  Didn’t anyone teach you that?”

The episode drips with teases, like Clara looking in the OED-sized History of the Time War, flipping to a random  page, and murmuring, “So that’s who,” when she learns The Doctor’s real name.  Or the tease about the relationship (past, present, and future) between The Doctor and Clara, and why she is who she is.

“It’s spinning a labyrinth?” the Doctor says to the under-developed junk-dealing characters.  That’s what this episode does.  It spins a labyrinth, and dares us to follow the string back out again, especially given the creepy, distorted hallways and ghoul-like monstrosities wandering the “lower decks” of our favorite time machine.

  • Clara: “Why have you got zombie-creatures?  Good guys do not have zombie-creatures.  Rule one, basic storytelling!”
  • The Doctor: “Not in front of the guests.”

And yet, the Doctor knows he has to keep secrets.  Without secrets, he can’t keep his loved-ones safe.

  • Clara: “What aren’t you telling me?”
  • The Doctor: “Trust me.  There are some things you don’t want to know.”

The TARDIS can be both magnificent and malevolent, sublime and ridiculous, jovial and jealous.  With its Star Trek-like corridors and horror movie memes and under-developed side story, there’s plenty of room to criticize the episode, but a couple of lines of dialog really make us sit up and think about why we’re watching and why the BBC is writing and producing this masterpiece.

  • The Doctor to Tricky, the man who was tricked into believing he was artificial: “They changed your identify to provide some inflight entertainment.”

The essence of this episode, the essence of Doctor Who — and if you’ll forgive the conceit — the essence of all speculative fiction is summed up in The Doctor’s fierce reprimand of the brother who tricked Tricky, as it were:

  • Doctor [to Tricky]: “Listen to me.  Ask yourself why he couldn’t cut you up.  He had just one tiny scrap of decency left in him, and you helped him find that.”
  • Doctor to Gregor: “Now, you.  Don’t ever forget this.”

Yep.  For me, that is why we have genre; it reminds us that we have tiny bits of decency within us.  That’s why we have science fiction, fantasy, humor, horror, romance, mystery, and their red-headed stepchild known as time travel.  Or maybe I’m just full of it.  Could be.  Like Clara said when looking at the vast cathedral the TARDIS whipped up out of midair: “Now that’s just showing off.”

Maybe I’m showing off.  Or maybe I’m just lost in a maze, too.  In a way I hope that’s true.

Years truly,

Keith

P.S. To all my new blog followers, I cannot thank you enough for taking the time to read and comment.  I hope you’re enjoying this little sliver of cyberspace as much as I’m enjoying weaving it.  Your support is appreciated more than you know!

Copyright © 2013 by Alan Keith Parker

Doctor Who and the quotes reproduced here are copyright © 2013 by the British Broadcasting Corporation (BBC); no infringement upon their intellectual property is intended.

Soul

Doctor-Who-final

Okay, so I finally watched the Doctor Who Christmas Special from 2011 titled “The Doctor, Widow and the Wardrobe,” and reminded myself that I need to remind myself that I need to ask the question that famous SF author Connie Willis is constantly reminding herself to ask: “Do apes have souls?”

In this case, of course, the question would be better re-worded to ask whether trees have souls, and I’ll remind myself to do that at the end of this post.  But the sentiment is the same, isn’t it?

  • Reminder: Be sure to ask this question in multiple venues, including the office, church, and the next cocktail party I go to.
  • Reminder: Note the reactions.  The last time you did this people rolled their eyes and mumbled excuses to wander away.

But do they?  Do trees have souls?  Individually?  Collectively?  Are they … Borg?   Speaking of Borg, did you know that in one of the 1960s’ Doctor Who episodes the Daleks told The Doctor “resistance was useless”?  Coincidence?  Doubtful.  Germane to this blog?  Not in the least.

It’s a touching episode — “The Doctor, Widow, and the Wardrobe” — and even though I’m not a fan of C.S. Lewis, I found the homage delightful.  It’s certainly heart-warming, with a great time-travel paradox to wrap things up in a Christmastime bow.  Those always give me that “ooh ah” sense of wonder I love so much.

But I really did start waxing idiotic about the soul again.  It’s an ages-old question that won’t be solved here, but the question still lingers like the downed tree in the forest that nobody heard fall except Walt Whitman.

The answer is another question: Do we really know?  The atheist says he knows, and the theist says that he knows, while the Buddhist simply says to the hot dog vender: make me one with everything.

But if we have souls, then are our souls unique?  Or, are we part of a greater collective soul?  A collective consciousness, one German called it.  And is that the destiny of all living things?  Is that part of evolution?  Amy Pond is certainly part of evolution.  She’s pictured to the right, even though she — like The Borg — has nothing to do with this post.  Now that my obligatory lecherousness is out of the way, I can pose a few more questions, bullet-style:amy_pond

  • Ever wonder about entities that might become alive?
    • Like a virus, or the Internet.
  • Can there be a collective RNA?
  • Will a sentient Internet have a collective consciousness?
  • What if the plants and the trees and the birds and the bees are all part of our consciousness?
  • Whither the lions and tigers and bears?

And then, … and then, … and then you have to ask, does the universe itself have a consciousness?  Here are some more bullets for your consideration:

  • Is the universe alive?
  • Is the universe’s life force the same as what we call God?
  • Did Luke use The Force?
  • Why did my team just run 3 draw-plays in a row?
  • What about parallel universes?  Do they get souls, too?

It’s an interesting question isn’t it?  There are roughly 1082 particles in the universe.  What if they all compose a single mind?  Are they (it?) the source of morality, of genius … of art?  And what do we do about that one rebel (there’s always one) among us who asks, what about particle number 1082 + 1?

Is that lonely electron on its own?

One is, as the song says, the loneliest number.

That’s all for now.  Just some simple questions to ponder over a mug of beer (or six).  Oh, and remind me to talk about Doctor Who next time I post.  That really is what this blog is all about.  Well, that, and hot dogs.

Years truly,

Keith

Copyright © 2013

The Time Traveler’s Life (Part I)

Still-of-Lea-Thompson-in-Back-to-the-Future-24BJGVYFS3-moviereviewfeeds-comIt seemed apropos that, on Groundhog Day, I’d post a picture of the first actress I had a crush on  … oh, wait!  What I mean to say is that I’d be asked to post an article on G+ about the challenges of writing time travel fiction.  If you want to delve into this weird but amazingly fun genre (where you may indeed have a protagonist who looks like Lea Thompson) you need to know what you’re up against.  What I’ve tried to do below is compile a list of issues the time travel writer needs to be aware of.

As with everything else in fiction, of course, the way to attract readers is through character.  But this article doesn’t address character development; there are ample resources for that.  Right now, we’ll stick to time-travel obstacles.

• Paradox Lost – You’ve got to come to grips with the notion of paradox.  That means wrapping your mind around two conflicting ideas.  My favorite time travel paradox, for example, is the one where the time traveler goes back in time and gives the blueprints for the time machine to his younger self.  Thinking about cause and effect here requires some serious mental gymnastics, not to mention a tall glass of scotch.  However, you really should avoid using this particular paradox in your story; it’s an overused cliche.

• Who’s Out to Get Your Hero? – You need to realize the villain of your story may well turn out to be the hero’s younger or older self.

• Timeline – Stephen King wrote a phenomenal time travel novel in 11/22/63.  In order to do that yourself, you’re going to have to map out the timeline chronologically (ahem).  So if you had a present-day time traveler going back to witness the events in Dealey Plaza, you’d need a timeline from 1963 till now.  Otherwise things are going to be a tangled mess.  Index cards work well for storyboarding such a plot, with each card representing a major aspect of the plot.11-22-63

• Travel Agent Required – How does the hero travel?  Via H.G. Wells steampunk machine?  A spaceship?  Gateway?  Phone booth?  Sports car?  Magic? You need to decide.  And once you decide you need to stick with it.  Time travel is part of your setting.  You wouldn’t have a creek flow uphill, so why would you have a time machine that worked inconsistently?

• The Left Behind – When your hero travels he’ll abandon friends and loved-ones.  How does he feel about that?  That’s nontrivial and potentially traumatic.

• Culture Shock – When Doctor Who’s Martha Jones (a woman of African descent) arrives in Shakespearean London she’s worried about getting sold into slavery.  Think about that.  Takes some of the romance out of the “good ol’ days,” doesn’t it?

• Cause and Effect – If the hero buys a ton of Apple Computer stock in 1999 will he really get rich?  Or does his stock purchase affect Apple’s success?

• Think Out of the Box – Suppose the time machine is a simple door.  What happens if the hero steps through using his cell phone?  Does he still have coverage?  That’s not as weird as it sounds.  If he can see through the door (visible light) then cell phone signals (radio waves) can travel through it, too.

• Grandfather Paradox – Is the hero going to do something that keeps himself from being born?  Suppose it involves murder.  How does the hero cope with that?  Murder is murder, in 2013 BC and 2013 CE.

• History Mystery – The hero wants to witness the Kennedy assassination.  Great subject, but you better damn well know your subject.  As the writer, can you tell us who the Babushka Lady was?  Or what was on Dallas TV right before the news broke?  Which motorcycle cop had his two-way radio on?   What was the weather like?  What’s the distance from the Book Depository to Kennedy’s car?  What did the “Treason” leaflets say?  What did the Manhattan businessman say about JFK’s killer? Zapruder-Film-Frame-366

• Action or Reaction –  How does the hero react to witnessing a really brutal murder?  The President, after all, had his brains blown out, literally.  If you’ve ever seen the Zapruder film you know it was a grisly, ugly, and sickening sight.  Now imagine being there, with the sights, the screams, the smells …

Time travel is not for the feint of heart.

In the next installment of “The Time Traveler’s Life” I’ll explore some of the pitfalls you need to avoid.  And in a later chapter, I’ll recommend some books and movies.  Stay tuned, same Chiroptera time, same Chiroptera channel!

Pax vobiscum,

Keith

Copyright © 2013

One Flu over the Cuckoo’s Nest

Immortality.  Everybody seems to crave it, whether through religion, science, mysticism or denial of death.  And so this begs a question about time travel. If I travel back in time one day and wake up yesterday morning at the same time I usually get up, and I have a chance to do my day all over again (see Murray, Bill; Day, Groundhog) and then I live through yesterday and in to today, throw on my white, time travel t-shirt (from last week’s blog) and jaunt back again, does that mean that the cells in my body, which have just aged 24 hours, will suddenly be 24 hours younger than they were when I put on the t-shirt?  Yes?

If that’s true, then can I repeat the process ad infinitum?  Can I make my body live indefinitely through time travel?  Back and forth, day in and day out, as it were.  I could certainly get a lot of writing done.

But maybe I should’ve asked whether I can do this ad nauseam?

Because … speaking of “nauseam” … my son started vomiting in the wee hours of the morning today, while we were in a hotel room, out of town. After his tummy finally settled down, the mess cleaned up, and he was snuggled under a comforter to stave off the chills, I told him something that seemed perfectly logical to me.

“I’ve never owned one million dollars in gold,” I said.

He looked at me sideways, probably wondering if his fever was making him delirious.

“Not many people have, Dad,” he said. His eyes looked drawn, dark bags, the glassy gaze of the sick.

“I’d like to.”

“Get in line, Dad.  Get in line.”

He sighed, rolled over, and slept another two hours before we hit the road and headed home.

During that two-hour drive from Birmingham to Huntsville my son lamented our not owning a helicopter or private jet.  And like any parent on a superhighway going 70 mph, I began to daydream about such possibilities myself.

If I travelled back in time 24 hours could I prevent him from getting sick?  Most likely not, since I have no idea how he came down with this virus in the first place.  But I could find a way to scrounge up a dollar.  And if I did this 24-hour t-shirt time hop one million times (even it was plain cash and not shiny gold) could I have made us millionaires while not aging a day in the process?

  • Million bucks?
  • Lear Jet?
  • T-shirt time machine?
  • No laugh lines?

There are worse ways to spend a Sunday.

But would that be worth it?  If I did that one million times, my son would suffer fever, chills and nausea one million times. And what sort of father would that make me?

In Groundhog Day Bill Murray’s character broke the cycle by realizing something greater than him.  Perhaps another way to grow is to never start the start the cycle in the first place.

And if you’re creating a character, critiquing a character, or just enjoying a movie with a big bowl of popcorn, try to put yourself in the character’s shoes.  That’s why good stories work, in my humble opinion.

Now, if your head’s hurting you may be trying to figure out what the hell I’m talking about today.  And, frankly, I wonder the same thing, especially since this is my first blog entry since winning a Freshly Pressed Award, and I’m a tad worried about disappointing you.  Or maybe your head’s hurting because you’re coming down with a touch of flu.  If the latter, I hope someone takes care of you, just this once.

Until next time,

Peace, from

Keith

Copyright © 2012, Alan Keith Parker.  All Rights Reserved.  I wrote this blog entry on my cell phone, which is like typing on a postage stamp.  Out of respect  for my pending carpel tunnel syndrome please don’t steal this!