Discovery

20130728-181202.jpgI just got back from the beach, where I listened to the audio version of Stephen King’s The Shining. And while I was listening I realized that I had never seen Stanley Kubrick’s interpretation of King’s classic horror novel, at least not from start to finish. The movie is rather embedded in our collective conscious, and many of its scenes (“Here’s Johnny!”) are so ubiquitous as to be fodder for satire. But the movie was new to me so I downloaded it from iTunes and watched it over a two-day period last week. The movie immediately struck me as quintessential Kubrick and a very thought-provoking horror movie.

During my self-imposed intermission I decided to look it up to see if it was considered as complex as it seemed. I was awed by the extensive analysis that’s been done over the years.

So, what does this have to do with Doctor Who? Well, when I asked my friend Jennifer Garlen about it, she gave me some great insight. Jennifer is a subject matter expert on classic movies and has a phenomenal blog at Virtual Virago. During our exchange of Facebook messages about the The Shining she mentioned she loved Doctor Who‘s allusion to the film. And at first I couldn’t think of which episode she was referring to. I finally had to ask my son — who has every episode of New Who memorized — to realize that the episode was “The God Complex.” I’m sure you’ve seen it if you’re a DW fan. But this set my mind off on a tangent. What exactly am I doing, writing about Doctor Who? I don’t review episodes. I don’t pan the show. I haven’t built a wiki or deconstructed “The Name of the Doctor” (yet). But what I have done is use DW as a basis for self-discovery. While there are as many ways to do this as there are people on planet Earth, this approach seems to work for me.

Like the psychological horror of Stephen King and Stanley Kubrick, the intellectual fantasy and science fiction of DW allow me to become introspective, learning a little bit about myself as I watch. And I think this is good for us. In “The God Complex” characters are subjected to hotel rooms that reveal your deepest fear. Could you handle that? Could you handle a room full of spiders, snakes, clowns or dentists? I’m not sure I could, but we all have an amazing ability to face our fears when we need to.

For a family-oriented program Doctor Who has an amazing capacity to scare the living hell out of us (“Are you my mummy?”). And I think this is a component of the show’s strength; but there’s more to it. Doctor Who is spectacularly good at optimistic endings, and this makes the frights bearable, knowing that everything will be okay. This is why I love genre and classic fiction. Too often these days we’re saddled with pseudo-intellectual stories that are ambiguous or inconclusive. If I wanted that I’d simply sit back and watch real life unfold. But for entertainment give me SFFH any day of the week!

After all, any connection between your reality and mine is purely coincidental. :)

Until next time,
Years truly,
Keith

Copyright (c) 2013 Keith Parker

Bootstrap

Sally SparrowThis week, The Parker Institute of Time Travel Studies (The PITTS) — in conjunction with State and Local Officials — has devised this warning for all time travelers and others involved in temporal excursions: Do not employ bootstrap time travel.

  • Bootstrap Time Travel (Encyclopedia Galactica*) — The bootstrap paradox is a paradox of time travel in which information or objects can exist without having been created. After information or an object is sent back in time, it is recovered in the present and becomes the very object/information that was initially brought back in time in the first place.

A recent examination by investigators — hired by the autonomous Fish and #TARDIS Sauce Group — indicate that there is an alarming rise of bootstrapped articles appearing throughout the timeline. The genesis of this “fad” seems to have been the airing of the Doctor Who episode, “Blink.” The PITTS, therefore, has been forced to implement emergency and draconian measures to staunch the flow of now-uncreated objects and information. Recent examples of bootstrap incursions include, but are not limited to, the following:

  • A man from Nantucket took a freeze-dried lizard back to his childhood, gave the lizard to himself, which he (the younger) then kept until he was a grown man with a chance to travel back in time … the situation was frustrated by teaching his younger self a limirick.
  • A husky Russian émigré, intent on playing football for Vince Lombardi, recently overshot his mark and took his time vehicle to 1947 New Mexico instead of 1967 Wisconsin, ruining our research and playoff hopes in one selfish move.
  • An English woman, home from the laundry mat and feeling adventuresome, took the family Wellsian for a spin to Victorian England with a basket full of extra footwear, creating an impossible temporal vortex of missing socks that will confound 20th– and 21st-century men for eternity.
  • An Alabama man took an egg (cage-free, organic, with Omega-3s) to China, circa 6000 BC, to the very day that the first chicken became domesticated and, as a result of self-indulgent selfish motives, removed the chicken-egg paradox from modern thought.
  • A Jaffa woman recently returned The Holy Grail to its shelf at The Cenacle, thereby eliminating any possibility we could determine the origin of said graal.
  • And in 2007/1969 Doctor Who told Sally Sparrow, “Blink and you’re dead. They are fast. Faster than you can believe. Don’t turn your back. Don’t look away. And don’t blink. Good luck.” The Doctor has been unavailable for comment.

These are but a few examples of what has become a worldwide epidemic. At this rate, all material objects, articles, matter, data, information, and salmon will not have a place of origin. The effects of this activity on the eco-military-industrial-climatic-god complex cannot not be overstated without embellishment. Please stay tuned to this channel for further updates.

The past is prologue; so is the future.

Years truly,

Keith

* All entries from Encyclopedia Galactica are, in fact, plagiarized liberated from Wikipedia.org (English version).

Copyright © 2013 Keith Parker

Bad Does Not Spoil The Good

scotch“The way I see it, life is a pile of good things and bad things. The good things don’t always soften the bad things, but vice versa the bad things don’t always spoil the good things and make them unimportant.” ~ Doctor Who

As an unapologetic, unsuccessful fiction writer I’m proud to say that I often rub shoulders with the people who rub shoulders with the people who rub shoulders with the writers who write in the tradition of  Edgar Allan Poe and Ambrose Bierce.  Down through the years I’ve been drawn to the hauntingly compelling fiction of H.P. Lovecraft and Robert E. Howard, Ray Bradbury and Shirley Jackson, Joyce Carol Oates and Stephen King.  So when my family sat down to watch the award-winning episode “The Doctor’s Wife” — and the opening credits popped up on our barn-size television set — I yelled out like the damn food I am: “Neil Gaiman!  Neil Gaiman!  It was written by Neil Gaiman!”

My wife and kids stared at me like I was speaking Serbo-Croatian.

But then I remembered the good Doctor’s quote, that bad things don’t spoil the good.  So instead of simply leaving it at that, and enjoying a stunning piece of drama — wherein Doctor Who melds science fiction, fantasy and horror with the aplomb of a good bartender mixing a mojito — I paused TiVo to explain that Neil is one of the über-talented writers who’ve inherited the mantle of Lovecraft and Poe, who’ve become the newest generation of fantasists.  And their blank stares reminded me of Christmas dinner twenty-years-ago, when a friend of the family asked what kind of fiction I wrote.  When I allowed that I was a fantasy writer, he said he loved — just loved — a book with good, steamy sex.  So do I, for what it’s worth, but that’s not the point.

When I say fantasy, I don’t mean Fifty Shades of Gray or late-night Cinemax.  I’m not a prude; it’s just not my genre.  In fact, I am not even referring to The Lord of the Rings or A Game of Thrones.  Again, not my thing.  You see, my foot is firmly planted in that land of shadow and substance, of things and ideas, and so when people ask what I write, I simply smile and say that I write Twilight Zone stories.  At which point some teen or tween will say, “Ooh, I just love Stephenie Meyers.”

And that’s when I go to the bar and order another scotch.

Years truly,

Keith

Copyright © 2013

Fish and TARDIS Sauce

DW_Fathers_Day_TARDIS_door_openFish and TARDIS sauce!  Oh, man, I kill me.  It’s a good thing I came ready-made with a martini-dry sense of humor; otherwise I’d never be able to entertain myself!

But the TARDIS part of (my really bad) joke is the main reason for this brief blog post.  One of the things that originally attracted me to Doctor Who —  besides Companions like Romana, Rose, Martha, and Amy  — was the ages-old concept of the building that’s bigger on the inside than the outside.  Or, as one astute observer put it: “It’s smaller on the outside.”

Over the years I’ve noticed that a lot of writers and would-be writers will home-in on a particular trope or meme, and hyper-focus on it without realizing its history.  I think this is true of the hyper-dimensional room. Like Alice’s looking-glass, glass slippers, and time-slips, it’s one of those devices that have persisted throughout fantasy.  So if you want to use something like The Doctor’s TARDIS in one of your own stories or screenplays, I think it’s really important to do some research on the subject.  In fact, doing research is one of the reasons I love being a writer.

A quick trip around the Internet gives you a sense of what I’m talking about with when we ponder rooms that have extra dimensions.  And a quick visualization might help you realize just how WEIRD this concept really is.  Think about it: You go get in your car tomorrow pick up some pizza and beer.  You open the door, drop your car keys, and when you pick them up off the floorboard you look around and realize you’re inside UPS Delivery Truck, with enough space to play a game of football and have a few fans cheering you on from the sideline.  That’s how freaky that experience would be.

So, if you want to include extra-dimensions in your writing, be sure to understand that — like everything else in fiction — it’s been done before:

  • The Hut of Baba Yaga (yes, this was in Dungeons & Dragons, but that’s not where it originated)
  • Tents larger on the inside (yes, Rowling evoked this in Harry Potter, but so did The Beatles in one of their movies, and the concept dates back to at least to 1001 Arabian Nights)
  • The wardrobe from C.S. Lewis’ Lion, Witch, and the Wardrobe
  • The “endless forest” of Robert Holdstock’s Mythago Wood
  • The short story “And He Built a Crooked House” by Robert A. Heinlein
  • The human brain
  • A Bag of Holding (which really is from Dungeons & Dragons)
  • A Wrinkle in Time by Madeleine L’Engle
  • “Waterfall” by M.C. Escher
  • And the almost unbearably disturbing painting Corpus Hypercubus by Salvador Dali

That’s just one small sampling.  But what a cool sampling it is.  Now, that takes care of the TARDIS part of the title, but what the hell does this have to do with fish?  Nothing, unless I’m paying tribute to Douglas Adams, the incomparable science fiction humorist.

May he rest in peas. I think the dolphins would’ve said that, too :-)

Keith

Copyright © 2013

Credit to these websites for invaluable information:

http://tvtropes.org/pmwiki/pmwiki.php/Main/BiggerOnTheInside

http://en.wikipedia.org/wiki/Tesseract

Rocky Edge (A Short Story)

rockYou are standing at the edge of a cliff and looking out at the gray, churning water 30 feet below as waves crash over jagged rocks.  You back away, half-dizzy, stomach pumping with vertigo.  Behind you to your right is an outcropping of grim boulders, weathered from wind, flattened by time.  You thrust your hands into the pockets of your Levi’s and wince as your dry knuckles scrape against the hemline of the blue jeans’ stitching.

You shuffle and slide across black soggy leaves over to the boulder that grows out of the ancient Alabama mountainside.  Your hiking boots give you footing, but you still feel uneven, with pressure in your ears.

You turn and sit on a tongue of rock that forms a chair unusually well-suited for your thin frame, one of those natural seats that doesn’t seem real somehow, but that you know has been there since prehistoric times, before anything that we know as intelligent walked or slithered on earth.  And for some reason you remember a children’s bible illustration where Jesus, sitting on a similar rock, gestured His eight beatitudes to a throng.  You  can’t remember the commandments, but you know you are not among the blessed.

But thinking of childhood Sunday school does make you think of the word love, and you know you didn’t love Allisa, and you know that you never really loved her, that you were merely

horny

obsessed by her.  And it was not even by her looks per se.  While not ugly, she would never pass Madison Avenue’s tests for looks.  Her crystal blues under those thinning black bangs turned you on.  But did they work on others?  Her Cuban accent and cravings for Thai food, her encyclopedic knowledge of architecture multiplied your

lust

romantic longings, which she did not reciprocate.  Not until that final night.  Not until her passion boiled over and set you on fire.  Her friendship had been platonic and yet, and yet … there was always the “ooh ah” factor in your favor.

Allisa had giggled at the first sight of computer eye candy.  When was that?  1990? ’91?  You’d shown her the shiny new Windows 3 splash screen as it zoomed across your monitor.  Techie stuff won her heart as often as roses.  She broke out in a huge grin when you told her you were going to email something to yourself.   That was her first Internet epiphany, circa 1994.  Years later, last week to be exact, she texted a picture of herself to you.  In the photo she stood beside a mural at the art museum — a mural of a twisty mountain road — hand on her hip, a smile in her eyes, one black pump up in the air.

The fundraiser at the museum had gone well into the night.  You waited up for her.  She’d texted around 11:00 or so, admitting she’d had three glasses — and counting — of Merlot, admitting her date was a creep, admitting she really wished you were there.

Drunk yourself from a twelve pack of beer and no food, you called her cell an hour later.  She’d answered on the first ring with a sweet, “Hell-lloo.”

“I only have sex with good-looking guys,” she’d told you. “That son of a –.  It’s always like that, isn’t it?  They’re always like that.  Sex.  Drugs.  Rock-and-roll.  All of them.”

You didn’t follow her train of thought, muddied by wine, or yours, sullied by beer.  But your eyes had lit up.  Your face had brightened.

Unlike now.

Now your face sags, hangdog eyes.  You feel scaly, eyes bulging like a fish’s.  What was it the nerd said in the office last week?  The guy with the letters MISKA-some-shit-or-other on his sweatshirt that casual Friday?

“You’ve got that Innsmouth look going, buddy.”

You had no idea what that had meant.  You didn’t care.  You didn’t care then, and you don’t care now.  Your mouth is hanging open, though, so you can take in big gulps of air.  Mouth-breather.  You roll your

bulging

eyes.  Well, you are from Alabama.  That’s what people expect to see.  Mouth-breathers.

You sigh.  Your thoughts are gloomy, pre-winter clouds, roiling like a too-hot November day that presages tornado outbreaks.

You snap out of your daydream when you realize your hands are tingling.  They’re still in the pockets of your jeans. You’d sat down with them like that.  Now you wiggle them out, and the dry skin on your hands finally cracks, and two of your knuckles bleed.  You grip one hand with the other, worried you’ll get blood all over your North Face jacket and people will stare at you later.  Either that, or the coroner will ponder your bloody hands after they fish your body from the waters below.

There isn’t much you can do, is there?  Your mind is numbed by data entry and bad nutrition and subtle musings about madness.

“Do you want to come over?” you had said to Allisa Fuentes that night.

And Allisa Fuentes, from Santiago de Cuba, where communist revolution had been born, had giggled like a conservative white American schoolgirl of the 1950s.

“Sure!  I’m turning around now, and we can –.”

The phone had gone dead in your hand.  You gawked at it, a stupid grin on your face.  You tried her number again.  You tried it over and over, assuming she just hit a dead spot in coverage.  No signal.

“I’m turning around now, and we can –,” had been Allisa’s last words when, distracted, she lost control of the car, and plunged 1000 feet into the roaring mountain river below.

She was still holding the phone when they found her.  It was her right hand.  You’re looking at your own right hand now.  It’s still bleeding.  And scaly.   It’s the color of a fish.

You stand, roll your head, and shuffle away from the rocky edge of the cliff, wondering if the words “Innsmouth look” have any real meaning.  Maybe they do, but weird crap like that doesn’t matter.  You walk back and get in your car, a high-tech SUV that’d been idling, waiting for you, and when its display lights up, telling you your own cell phone has been detected by its Bluetooth rigging, you grind your teeth, take the phone and sling it as far as you can out the car window, over the bluff.   As you put the car into drive you think you hear the goddamn thing die on the rocks below.  You hope so.  You’re going to pretend you do, anyway.

The End

Copyright © 2013 Alan Keith Parker.  This is a work of fiction.  Any resemblance to actual persons, living or dead, is purely coincidental.

Do Writers Need a Blog?

The Christmas holidays gave me some time to reflect on writing and the flu, which are an oddly similar afflictions.  One of thing that I kept circling back to was this question: Do we writers need to have blogs?

Nessie

I started this blog back in 2011 to give out free writing advice, for what it’s worth.  I then rebooted it last year to focus on writing science fiction or — as I call it at cocktail parties — sex scenes.

But seriously, even under the huge umbrella of science fiction, fantasy and horror, I don’t really have a focus.  Just think about all the things I’m interested in:

  • Science fiction
  • College football
  • Fantasy
  • Television
  • Home improvement projects (I even do windows)
  • Time travel
  • The Civil War
  • Creative writing
  • Computer modeling
  • Graphics
  • JFK
  • Encyclopedias
  • Maps
  • Atlases
  • Classic rock
  • Cuba
  • Gnosticism
  • Humor
  • Horror
  • World War II
  • Beer
  • Collecting books
  • The Cold War
  • Old school D&D
  • Pencil-sketching
  • Restaurants

This is pretty typical of writers, being interested in lot of stuff.  We’re sponges.  We’d probably make good Jeapordy contestants.

My dilemma is that I have the attention span of a puppy running through a pet store.  If I start writing a time travel story today, by Friday I’ll shelve it and start working on a nonfiction piece about beer.  I’ve written three novels, hundreds of short stories, and enough blog entries for a decent book.

Sure, I’ve been pimping my one published novel and my thin collection of published shorts (not boxers), but my writing has not exactly zoomed into the stratosphere.  And I’ve been doing this for 20 years.

So, why continue with this blog?  This isn’t a pity-party.  I’m not slumped-shouldered (except when grave-robbing).  I’m asking a real question: Do writers need a blog?  I’d be curious to hear your thoughts.

Until next time,

Peace, from Keith

Copyright © 2013 Alan Keith Parker

Meat

There were more mashed potatoes and more meat on the plate than there’d been a just few minutes ago. Johnny blinked.  His head was sizzling, ice-pick pain crushing his eyeballs.  His leg, too, throbbed as if it’d taken hammer blow to the shin bone. It reminded him of how his mama told him the Romans broke Jesus’ legs on the cross.  But this wasn’t ancient Jerusalem.  He was simply sitting on a bed, in the present day.

He blinked.

There was more roast beef on the plate, now.  Had there been that much before?  He couldn’t tell because he couldn’t taste, his tastebuds had been cauterized, and his tongue was as dead as the meat that laid there, so he surely hadn’t been eating anything, and yet … and yet, he daintily wiped the corner of his mouth (did manners even matter here?) … and his hand came away with brown gravy on it.

He blinked.

Blackened gargoyles flashed before his closed eyelids.  He was still sitting there on the bed, but it felt different now, and the food was gone so he figured it was over, that it was past dinnertime and now he’d moved on to … on to what?  Somebody was yelling from next door, something about fire, something about a fizzle?  Sizzle?  Was that what they said?  And lightning?  Something about him and lightning.  Were they talking about his woodworking? His woodcarvings?  He always talked about how he liked the smell of a power carver burning into a fresh wood.  He brushed the top of his head, found stubble from his … what? … his crew cut?  Why did he have a buzz cut?

He blinked hard.

White feverish splotches flashed before his eyelids, and now he smelled barbecue pork, the kind Johnny’s dad pulled off pigs over barrel fires when he was a kid, better barbecue than any joint in Alabama ever dreamed of cooking.

He blinked.

His lungs were crushed, smashed, a seat-belt … was that it? … yanking his rib bones into his flesh and puncturing his lungs, making him scream … but he couldn’t scream.  He opened his mouth … did a little gravy dribble out? … but he couldn’t scream.

He blinked.

He sat at a large table, but kept his elbows off.  Old habits died hard, especially here in the South.  It was a  library table like he’d sat at in school on Saturdays.  But this table was rough-hewn, and his fingernails dug into a splintered crevasses that’d been gouged deep into its surface over the years.

He blinked three times.

The images were splashes of acid hitting his wide-open eyeballs.

A man in a suit stood on the other side of the table, his necktie loose, his shirt sweaty … can anybody sing that ring-around-the-collar jingle? The man’s face was wrinkled and tired, but his eyes were alive from too much coffee and sugar.  His milquetoast face had darkened from beard stubble … kinda like the stubble on your head, eh, Johnny boy?  The man glared.   The suit was expensive.  Armani, or a damn good knockoff.  And it’d been pressed … but not for a long while.  And he had a sported a watch … an expensive one, complicated … a Bulova, full of hands and dialsspinning, turning, ticking, tocking.

Johnny’s head still ached, a post-trauma pounding.  It felt like he’d been sunburned, and then sunburned again, and then sunburned yet again after the first two had healed.  His leg still crackled from the hammer blow,  or whatever it was, and he now wondered if the bastard had used the claw of the hammer to break his leg bone slowly, sadistically.

Johnny blinked.

The man in the suit looked … better.  His tie was tied.  His suit didn’t have wrinkles.  And his face was fresher, no three-day shadow, and no perspiration.

“You have to,” the man was saying.  “You have to.”

Johnny shook his head.  “I didn’t do nothing.  Nu-thing.”

The man’s nostrils flared.  He slammed his hands on the table, rattling Johnny.  “What’s your favorite meal, John?  Hmm?  What is your favorite meal?”

“Wha –.”

“Food, man!  What’d you choose if it was your last?”

Johnny blinked.

This time nothing changed.

“Mashed potatoes with roast beef and grav–.”  Johnny stopped, the word a bone caught in his throat.

That’s when he focused on the man’s elegant wristwatch, at all the hands and dials.  And the main one, the military dial, told him it was little after 1400 hours.  He zoomed in, bringing the watch’s second hand into view, and it was running backward.  He ran his hand through his hair, and he had hair now.  He … had … hair … now.

Johnny blinked.

Nothing changed, but he now knew that mashed potatoes had reappeared on his plate because he’d eaten them, in the future.

They shaved your leg.  They shaved your head.

“What year is it?” he said

The man in the suit blinked.  “What does that have to do with –.”

Johnny’s turn to slam his fist.  “What year is it?” he yelled.

The lawyer told him.

“And when would I get out?” Johnny said. “If I take the deal?”

The lawyer’s face — which had been sharp angles and tension — suddenly sagged, his brown eyes hound-dog sad.

Johnny felt a tear well up in one eye, the way it’d always been.  He always cried from one eye.  It’d been that way when the cops had kicked down the door and found Johnny standing over one of the bodies, holding the serrated knife that’d been used to slice open throats all over the apartment building, and he’d cried because he knew they’d never believe that he’d removed the knife from of one of the victims to save the woman’s life because he was a nurse and that’s what nurses did.  But the evidence was a D.A.’s wet dream, fingerprints on every floor.  Johnny had helped those old men and women for years, and they thanked him — oh, yes — but they’d also insulted him when they thought he was getting uppity.  It was annoying, stupid.  He’d even got a scalding cup of coffee in the face once.  That was more than “annoying.”  But he still loved them.

But that coffee wasn’t nearly as hot as the skull cap, was it?  They said the electric chair was painless.  They said the initial jolt of voltage knocked you out.  They were wrong.  Dead wrong.

Johnny looked up slowly, through moist eyes.  “How’d you do it?” he asked the man with the backward clock.  “My mama would’ve called it devil’s work.”

The man shook his head.  “Not witchcraft.  Just … a gadget.”

“You let me see my future.”

“I let you live your future, John.  Or one possible future.  You’ve traveled forward, and now you’re coming back.  And you still remember everything, for now.  But soon enough those memories of the future will be gone.  There’s nothing I can do about that.”

“And I died.”

“We all die in the future, John.  You will be killed in the future if you don’t take the plea.  But if you do take it, you’ll live in the future.  You’ll make woodcarvings.  And one of those woodcarvings will be a spaceship.  You’ll make it on a whim.  And thirty years from now you’ll give it to a schoolgirl who’ll become the first human to set foot on another planet.”

“You’re making that up.”

“You don’t know that.  But you do know what the electric chair does to you.”

Johnny nodded.  “But I didn’t kill those people.  I tried to help them.  I tried to help them!”

His lawyer gestured toward the room outside.  “I know that.  But they don’t.  They don’t know and they don’t care.”

“Then is there one thing I can ask?  Just one thing?”

“We have very little wiggle room.”

“Can you at least tell them I’m a vegetarian? I don’t want to eat meat.”

The lawyer puckered his lips.  “I might be able to swing that one, Johnny.  If you apologize.  Show remorse.”

“For something I didn’t do.”

The lawyer nodded.  “For something you didn’t do.  I bet I can get you a vegetarian diet.  I might be able to swing that one.”

Johnny slumped in the chair, his eye teary, his body hiccoughing with sobs.

He blinked.

The lawyer turned to go see the prosecution, winding his watch as he left the room.

The End

.
Copyright © 2012 Alan Keith Parker.  All Rights Reserved.  This is a work of fiction.  Any resemblance to actual persons, living or dead, is purely coincidental.